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	Search results for Circular    Refine your search Creator 3 () 1 () 1 () 1 () 1 () Show more... results 21-40 of 44 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 21. [Bookplate for William Hall Walker by F.] Dense with imagery, this bookplate consists of a central framed coat of arms, surrounded by many symbols and figures, including a rose, a portcullis, a bird, a small argent escutcheon charged with a lion rampant, a thistle, military insignia, mounted hunting spoils, an anchor, rifles, swords, polo mallets, horseracing emblems, horse carriage hook-up, foliage, tree branches, and knights on horseback. The knight on the left sits upon an armored sable horse, holds a lance in his right arm, and wears a cornucopia crested helmet. The knight on the right sits upon a unarmored white horse and holds a white flag in his right hand, on which is the image of a tree and fox on a circular white and azure (blue) background. The coat of arms, presented within a border of grape vines and under the motto 'By Care and Industry', consists of a white horse and stag as supporters, with juxtaposed garbe, proper. The escutcheon, argent, contains both a chief and saltier. The chief is argent (silver), with two argent mullets of six points and garbe, proper. The saltier, argent, is charged with eight seedlings eradicated and a stag's head, erased, at its centre. Atop the shield is a baron's coronet and helmet, grated and in profile, crested by a wreath and cornucopia. 22. [Bookplate for Maija Calite by Richards Skrubis] Image is of a side profile of a woman (possibly originator) against a black and white background. There is a braid done in a circular pattern at the back of her hair and she is facing to the right. 23. [Bookplate for Clark. William Mortimer] In black ink, a circular belt/garter provides the border. Within is a cat, sejant rampant, upon a straight crest wreath. The belt contains the English motto. 24. [Bookplate] In black ink, a circular belt/garter provides the border. Within is an elaborate argent (silver) escutcheon, and on it is a heron (or crane) atop a crown. In the heron's mouth is a snake. 25. [Bookplate for Lorenzo Spallino and Michael B. Kunze by T. M.] In black ink, a nude male figure stands at the base of a tree from which he picks fruit. The foliage of the tree is framed by a circular border. The base of the tree rests on an open book on which the text is written. 26. [Bookplate for George Meek] In black ink, this bookplate consists of a garter bordure, azure (blue) and buckled. The space within the circular frame is divided quarterly, with a label, argent (silver), at the fess point. The first quadrant, gules (red), is charged with three stirrups, two over one ; the second quadrant, or (gold), is charged with a lion, passant guardant and gules, above two bars, gemels and gules ; the third quadrant, ermine (white powdered fur with black tufts), contains two bars, gemels and gules ; and the fourth quadrant, argent, contains a bend coticed, sable, charged with three fish, hauriant (upward facing). The garter is crested by a curved wreath, topped by a lion rampant. The garter contains the Latin motto. 27. [Bookplate for John George Mortlock by Charles William Sherborn] In black ink, this bookplate consists of a tilted escutcheon and crest framed by an elaborate circular bordure. The escutcheon is divided quarterly ; the first and fourth quadrants, argent (silver), are charged with a fret, azure (blue), and contain a chief, azure, charged with three fleur-de-lis, argent ; the second and third quadrants, sable (black), are charged with three annulets, argent, two over one, and contain a chevron, argent and engrailed. The escutcheon is crested by a closed dexter helmet resting upon the second quadrant, topped by a wreath and a lion sejant, with dexter paw elevated and resting upon a fleur-de-lis, argent. From either side of the helmet flows mantling and a banner which contains the Latin motto. The bordure also contains text. 28. [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue). 29. [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner. 30. [Bookplate for John T. Jeffcock] In black ink. Escutcheon parted per cross. First and fourth quarter, sable (black). A chief, argent (silver), three ravens, trussed, sable. A chevron, or (gold). Three pickaxes, two over one. Cadency, crescent, linking the first and second quarters. Second quarter, parted per cross. First and fourth sub-quarter, argent, an eagle, displayed, sable, with a canton, vert (green), a buck, lodged. Second and third quarters sable, the lower half of the shield a barry of six pieces, argent and sable, a square castle, turreted, two in pale two in fess. Above the escutcheon is a straight crest wreath topped with a mountain and an arm embowed holding a long pointed weapon with a circular handle. Below the escutcheon is a banner containing the English motto. 31. [Bookplate for Ernest Frederick Hick] In black ink. This twentieth century bookplate features a Canadian design. In the center is an escutcheon charged with a large maple leaf, seed pods and the originator's initial 'H.' The escutcheon is set on a dark, circular background and surrounded by maple boughs. Below the escutcheon is a banner displaying the originator's name. 32. [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools. 33. [Bookplate for Frank Louis Flight] In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others. 34. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 35. [Bookplate for G. P. Girdwood] Oval-shaped circular border with legend containing a motto printed in capital block letters across the top half. Bottom half of the border has shading, decorate circles, and a decorative end. Border made to look like a ribbon, one end of which loops over the bottom of the oval. End of the ribbon has thin borders, circular decorations, and almost tapers to a point with decorative curls at the end. In the center of the oval is a demi-lion rampant guardant. In its right paw, the lion holds a tree with round foliage at the top and sprawling roots at its base. Below the image is text written in stylized sentence-case serif font. 36. [Bookplate for Colin E. Henderson by L. V. S.] Pictorial bookplate. A scene portraying a bookshelf and open window (overlooking trees) is enclosed in a circular frame. Around the frame are oak and maple branches. At the bottom of the circle is a frame in which is inscribed "Colin E. Henderson." The artist's name and date are found at the bottom-centre of the bookplate. 37. [Bookplate for Max Hermann] Printed in black ink on cream paper. The image shows an older man sitting, facing left. The man has long hair and wears a pillbox hat and a robe. He sits in a carved wooden chair, hunched over a large book that rests on a lectern and turns the pages with his left hand. His head is shown in profile, framed by a circular sun with lines radiating out in all directions. 38. [Bookplate for Nicholas Garry] Printed in black ink on off-white paper. In the centre is a family shield, decorated with with a chevron pattern in solid black and white ground with a spotted pattern. A ‘V’ shape in the centre of the shield intercepts and counterchanges the chevron colours. Above this is an extended arm in armor holding a circular disc that repeats the pattern on the shield. 39. [Bookplate for James M. Wishart by Leslie Victor Smith] Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner. 40. [Bookplate by W. Bowles and J.W. Leigh] This bookplate is rendered in a circular motif, with three escutcheons pivoting the centre. The first crest is gules (red), charged with three ducal coronet, positioned two over one, with a roundlet or (gold) at centre. The second crest has a chevronelly of eleven or and azure (blue). The third crest is gules, charged with three inverted wildcat heads on fleur-de-lis, two over one. The entire assemblage is contained within a circular pattern, with Latin name in the border. The original artist of the crest is J.W. Leigh, indicated by "Inv." at the base of the design. select all : clear all : add to favorites results 21-40 of 44 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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